Choral Fantasy

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He wrote new alto parts for the many songs that originally just had three vocal lines. To order our printed materials,you must use more than one source, depending on the author. The sight reading and sight singing exercises produced are governed by many rules so that they make 'musical sense' in that they are rhythmically, harmonically and tonally appealing. All are welcome to come and listen at 4.30pm to support the youngsters who are the future of church music in Scotland, but if you have a child who is aged 9-15 who might want to come to SING with Young Scottish Voices at this event (which starts at 1pm, and finishes with the service at 4.30pm), please contact Sue Gardner for further details on YoungVoicesAdministrator@rscmscottishvoices.org.uk and she will let you know how to go about getting involved.

Come, Lift Your Hearts: Assembly, SATB Choir, Descant,

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Packed with lesson plans, teaching resources and rehearsal planning ideas, all in one value-packed book/CD! Horn - 152 Now the Sun Has Gone to Rest - V. Maynard - 118 In This Sheltered Mossy Dell - C. Each of the five songs in this creative reproducible collection can be performed separately any time during the year, or you can use the rhyming narration to link the songs together, creating a 20-minute, easy-to-prepare-and-present mini-musical perfect for a Spring Musical, Summer Musical, or Vacation Bible School Program.

RUN, YOU SHEPHERDS, THROUGH THE NIGHT - Hal Hopson - -

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The United States Copyright Office, for example, has established a very useful website which includes its copyright circulars such as "Copyright Basics" online. Also includes a moving foreword by Harry Belafonte, an introduction by Horace Clarence Boyer, the group’s “Her-story,” a discography with album covers, photos, and extensive composer’s and performance notes. I'd like to reach someone there about these old materials. Schumann - 142 Norah McShane - Charles E.

How Can I Keep from Singing? - SATB Choir & Piano -

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We ship to the UNITED STATES from our on-line store. Howard - 61 When I Was a Beggarly Boy - J. Macfarren - 119 When the Corn is Waving - C. The singing school echo; a new collection of music for singing & high schools, classes, conventions, etc., to which is prefixed a new & original presentation of the elements of music. (Cleveland, S. Ang Imnaryong Cristiano OMF Literature, Inc. 1988 MS/O 3. The next time we meet will be for our annual residential rehearsal weekend in August but that doesn't involve any public performance, so the next time you can hear us sing is on Saturday 6th September 2014 when we will sing Choral Evensong at 4pm in St Paul's Episcopal Cathedral in Dundee.

Tsur Yisroeyl for Solo, Choir and Organ

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Sharpe - 66 On Yonder Rock Reclining - D. His son-in-law published the book in 1927, including an appendix compiled by revision committee. Contains all the songs from the Christmas Carols and Christmas Favorites recorded products. The enhanced StudioTrax CD features accompaniment and performance tracks, along with reproducible singers' pages and colorful PDF song charts for projection options. Lansdon - 83 Come Where the Aspens Quiver - Alex.

Take My Life and Let It Be - Kevin A. Memley - SATB - SATB -

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Consider your fellow composers and arrangers, whose livelihood depends on the royalties and revenues derived from the proper purchase and use of their work product. The Colored Sacred Harp is limited to the New Jersey and south Alabama-Florida groups. They're not here, for two reasons: first, this site is for Christmas carols, and those are Christmas songs; second, those songs are still protected by copyright.

Singable Solutions for SAB Choirs: Nine Creative Settings

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Using simple part writing, this piece is accessible to Adult Mixed Ensembles or Treble Choirs who are developing their part-singing ability. More publishers than any other online retailer in Canada with a 20% discount each and every day! Bellini - 138 Oh, Whisper What Thou Feelest - B. Mass for Peace (Mass Series No. 1) Ryan Cayabyab – Keynotes Chorale 2001 MS/O 1. Explore videos, articles, podcasts and more- the music you need, for the worship you support with the service you appreciate.

'Zat You, Santa Claus? - Words and music by Jack Fox / arr.

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KEYBOARD ACCOMPANIMENT AND CONDUCTOR'S GUIDE FOR THE WORSHIPING CHURCH - (for organ, piano and synthesizer keyboard instruments) This volume includes introductions (intonations), interludes, hymnal harmonizations, and re-harmonizations for use with the hymns. Paoli Tosti Birdling, Why Sing in Forest Wide? - Swedish Bleib Bei Mir - A. Large singings have been known to have more than a thousand participants. The most likely reason is that you have an old version of Adobe Acrobat. Must we leave the old home, mother? - Huntley - 210 C'est la belle Fran�oise - 8, 10 et 11 Et moi je m'en passe! - 33 J'ai tant d'enfants � marier! - 149 J'ai trop grand' peur des loups! - 178 Je le m�ne bien mon d�vidoi! - 181 We Cheer for the U. of M. (Univ. of Minn.) - 223 Google Books - full text available.

Off to the Races! Choral Octavo

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For this reason, we call them "copyright myths." Choir directors can use the hymn anthems that are not concertatos either in the usual way or as alternate stanzas during congregational singing. A BLESSING unknown to ambition and pride, 92 * A cobler there was, and he liv'd in a stall, 164 * A courting I went to my love, 157 Ah! credit not the rival swain, 175 * Ah! gaze not on those eyes! forbear, 5 * Ah! how sweet it is to love, 98 * Ah! why must words my flame reveal, 181 Ah, Chloris! could I now but sit, 1 * Alexis shunn'd his fellow swains, 74 * All in the Downs the fleet was moor'd, 250 * All my past life is mine no more, 271 Are ye fair as opening roses, 94 * As Amoret with Phillis sat, 177 As he lay in the plain, his arm under his head, 212 * Ask me not how calmly I, 97 * Away with these self-loving lads, 131 * Away! let nought to love displeasing, 281 * Bless'd as th' immortal gods is he, 224 Boast not to me the charms that grace, 173 * By my sighs you may discover, 190 * CAN love be controul'd by advice, 272 Cease to blame my melancholy, 222 Chloris, 'twill be for either's rest, 133 Come listen to my mournful tale, 80 * Come live with me, and be my love, 263 * Come thou rosy-dimpled boy, 96 * Come, all ye youths whose hearts e'er bled, 66 * Come, Chloe, and give me sweet kisses, 238 Come, let us now resolve at last, 130 Could you guess, for I ill can repeat, 28 DEAR Chloe, how blubber'd is that pretty face, 147 Dejected as true converts die, 213 * Despairing beside a clear stream, 64 Distress me with those tears no more, 290 Does pity give though fate denies, 201 * Drink to me only with thine eyes, 194 FAIN would you ease my troubled heart, 15 * Fair Iris I love, and hourly I die, 134 False though she be to me and love, 130 * For me my fair a wreath has wove, 221 Forgive me if I do not trust, 171 * Freedom is a real treasure, 111 From all uneasy passions free, 228 * From place to place forlorn I go, 179 * From sweet bewitching tricks of love, 112 From the dwelling of the widower, 302 Good morrow to the day so fair, 204 * Grim king of the ghosts, make haste, 67 * HAIL to the myrtle shade, 257 Happy the world in that blest age, 119 * Hark! hark! 'tis a voice from the tomb, 71 Hast thou escap'd the cannon's ire, 302 Haste, my rein-deer, and let us nimbly go, 259 He that loves a rosy cheek, 121 * How bless'd has my time been, what joys have I known, 279 * How gentle was my Damon's air, 54 How hardly I conceal'd my tears, 183 How much superior beauty awes, 90 How sweet thy modest light to view, 205 How yonder ivy courts the oak, 199 I CANNOT change as others do, 33 I did but look and love awhile, 4 I grant, a thousand oaths I swore, 150 I heard the evening linnet's voice, 200 I never saw a face till now, 11 I prythee send me back my heart, 118 * I smile at Love, and all his arts, 8 * I told my nymph, I told her true, 216 I wonder if her heart be still, 172 * If all that I love is her face, 85 If all the world and love were young, 265 If Cupid once the mind possess, 182 If guardian pow'rs preside above, 89 If Love and Reason ne'er agree, 180 * If 'tis joy to wound a lover, 131 If 'tis love to wish you near, 196 If wine and music have the pow'r, 237 * I'll range around the shady bowers, 44 I'm not one of your fops, who, to please a coy lass, 136 In Chloris all soft charms agree, 125 In either eye a lingering tear, 299 * In love should there meet a fond pair, 280 * In the merry month of May, 270 In the time of bloom and beauty, 293 * In vain you tell your parting lover, 14 * It is not that I love you less, 124 It was to smiles I did surrender, 171 LET not Love on me bestow, 136 Let the ambitious ever find, 223 * Love's a dream of mighty treasure, 110 * Love's a gentle gen'rous passion, 100 Lucy, I think not of thy beauty, 116 Mild breeze, when thou shalt fan my fair, 203 * My banks they are furnish'd with bees, 58 * My days have been so wond'rous free, 209 * My dear mistress has a heart, 244 My name is honest Harry, 159 * My passion is as mustard strong, 161 * NO more of my Harriot, of Polly no more, 245 Not the soft sighs of vernal gales, 235 * O HAD I been by fate decreed, 217 * O Nancy, wit thou go with me, 255 * O'er moorlands and mountains, rude, barren, and bare, 269 * Of all the girls that are so smart, 248 * Of all the torments, all the cares, 38 * Oft on the troubled ocean's face, 109 Oh! ever in my bosom live, 93 Oh! forbear to bid me slight her, 6 Oh!

Come We That Love the Lord (Mormon Tabernacle Choir

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Cover picture of a fiddler and dancing couple, 19th c. dress. Sung in unison or in two easy parts, with optional Readings to give background information on this wonderful Bible story, this is sure to be an instant favorite. You can also try downloading the score rather than opening it directly in your browser. King When I was a Lad - To Irish Melody, Moore's Katty O'Lynch,' Words by Leman Rede When I was a Younker, I first was apprentic'd When I was at Home, with my Father and Mother When lurking Love - Richardson, Poetry by Mrs.